Composing for Musical Styles

LTCL Composition Unit – Composing for Musical Styles I: From 17C to 20C

The course is designed for the students who want to improve their compositional skills. Throughout the history under the ingenuity of the great masters, multifarious styles ranging from miniature to complex lengthy works were cultivated and flourished in our concert repertories, for instance, Bach’s keyboard fugue and suite, Haydn’s string quartet and symphony, Beethoven’s sonata, Schubert’s lied, Schumann’s piano cycle, Chopin’s Nocturne and Polonaise, and Schoenberg’s 12-tone Klavierstudie and so forth. As a student composer, there is a great need to learn writing for different styles. The course is set for fulfilling such need, hoping to open a broader dimension on writing for different styles and genres for students.

Course Contents:

Lesson 01

Polyphonic Learned Style I:

Writing for 2-part keyboard-1

Baroque Minuet and Trio

Sample: Bach’s Minuet in Am

Lesson 02

Polyphonic Learned Style II: Writing for
3-part keyboard-2

Baroque Prelude and Fugue

Sample: Bach’s Cm Fugue

Lesson 03

Diatonic Harmony I: Homophonic strings: Writing
for String Quartet

Classical Courtly Elegance

Sample: Haydn SQ op76 no3 movII

Lesson 04

Diatonic Harmony II: Homophonic keyboard:
Writing for piano

Classical Courtly Elegance

Sample: Mozart’s Keyboard Variation

Lesson 05

Motivic Variation I: Writing for Sonata-1

Generic Ambiguity: Sample: Beethoven’s Moonlight and Pathetique

Lesson 06

Motivic Variation II: Writing for
Sonata-2

Generic Ambiguity: Sample: Beethoven’s Moonlight and Pathetique

Lesson 07

Romanticized Chromaticism I: Schubert’s
German Lied-1

Poetry and Music: Sample: Schubert’s Wintereisse and Schwanengesang

Lesson 08

Romanticized Chromaticism II: Schubert’s
German Lied-2

Poetry and Music: Sample: Schubert’s Wintereisse and Schwanengesang

Lesson 09

Expansion of the Harmonic Palette I:
Writing for Character Piece

Prelude as Poem: Sample: Chopin’s Prelude
op. 28

Lesson 10

Expansion of the Harmonic Palette II:
Writing for Program Reference

Program Instrumental Music: Sample
Berlioz’s Fantastic Symphony
movement