English 
Intermediate Study of Tonal Harmony
Intermediate Study of Tonal Harmony – Analysis and Interpretation
The course is designed for the students who possess Grade 8 level and are eager to advance their knowledge on tonal harmony and music analysis. The course contents are focused on exploring the different uses of chromatic harmony through real music extracts by masters of different periods. Course details are described as follows:
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Lesson 1 |
Dominant Seventh Chord Functional and non-functional use |
Chopin Mazurka op. 68 no. 4 |
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Lesson 2 |
L.N Diminished Seventh Chords Functional and non-functional use |
Wagner Rienzi Prelude Brahms Sym.3 Eurydice – Gluck |
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Lesson 3 |
Non-dominant Seventh Chords Modulation |
Bach Chorale examples |
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Lesson 4 |
Secondary Dominants Tonicization |
Extracts Analysis |
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Lesson 5 |
Neapolitan Sixth and Borrowed Chord |
Extracts Analysis Beethoven Moonlight Sonata Verdi – Un di |
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Lesson 6 |
Augmented Sixth on Flattened Sixth Scale |
Extracts Analysis Mozart Sonata Var. VII, Sym 25 mov I |
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Lesson 7 |
Various forms of Augmented Sixth |
Extracts Analysis Chopin Prelude op28 no4 |
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Lesson 8 |
Dominant Extensions and Altered Dominants |
Extracts Analysis
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Lesson 9 |
Embellished Diminished Seventh, Chromatic |
Smoke Gets in Your Eyes |
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Lesson 10 |
The Romantic Harmony I |
Chapter Examples |
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Lesson 11 |
The Romantic Harmony II |
Chapter Examples Erlking – Schubert (last line) |
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Lesson 12 |
Introduction to German Lied Schumann’s Romantic Concept |
Analytical Examples of Lied Schumann – Lovely Month of May, |